What you see this weekend and what has now been published with Alec Baldwins “Rost”

“Rust”, the western film with Alec Baldwin, which is strongly oriented, is finally in the cinemas. Unfortunately, the film is unable to escape this Tragedy that was that The death of the cameraman Halyna Hutchins in the set.

Baldwin held a weapon of the props department when it was released, and killed Hutchins and the wound director Joel Souza.

This tragic incident occurred three and a half years ago. Now the film is there and publishes in the cinemas on Friday. A film critic, Jesse Hassenger with The guardiandescribed the film and its violent conclusion with a weapon balance Alec Baldwin as “ghulic” and “annoying”.

Also when Souza was asked If there was something he wanted, he could do, he replied: “I wish I never had written the D *** film.”

Without advertising and a director who does not want this project, what do we as an audience do with “rust”? Do you ignore it? Observe it and try to forget the bloodshed outside the screen? Do you celebrate the last work of Hutchins? It is even more a mystery if you compare this with another recent Hollywood tragedy –When camera assistant Sarah Jones, 27, became “Midnight Rider. “”

“Midnight Rider” was ultimately completely resolved.

Here a cynical reading is read about how all art, including films, have to make a profit at all costs and that the success and the failure of films are based financially. In this case, the original producers of “Rust” do not take any profits from the film instead Reaching a settlement with Hutchins' surviving familyAnd your widower Matthew so that you get at least part of the film's winnings.

Perhaps this adds a certain relief, but when the film is about escapism and in “Rust” it is about fleeing with elaborate sets and spectacular cinematography into the wild west. It is difficult to escape the underlying trauma and tragedy that was accompanied by this project.

What and how to watch

On Max: 'Die Sample'

The second season of the bizarre series from the enigmatic spirit of Nathan Fielder (“Nathan for you”, “The Curse”) is here, and it is as strange as a series as the time when you last left it – if you had curiosity and the courage to check it.

The show is a document comedy that revolves around the field player who carries out “rehearsals” for unpleasant situations in which everyday people expect to face their real life. The second season is all the more promptly and concentrated FAA security standards and training for pilots.

The NTSB recommends Role playing to train pilots better to prepare for crashes or analyze what one caused. Here, Fielder comes into an absurd way in absolute flummox a light in an industry.

The gags are detailed, the humor is both total and crowned, and the tone leads its audience with every episode in a disturbing path (in a non-horror way). Fielder works on a different level and reinvents what “reality” reference can be, and that is worth your time and attention in itself.

On Netflix: 'The four seasons'

Tina Fey's most recent project is an expansion of Alan Alda of the same name from 1981, which after three suburban -pairs of middle -ages on the group vacation every season after the group holidays. One of the couples meets his death, and the subsequent awkwardness and tension of their separation becomes a reason for feeding for Fey in order to develop with their brand of humor.

With the leading role of Steve Carell, Colman Domingo and wants to be, you may not be satisfied for large awards, but your up-and-down pace is sweet as sweets with more than enough sharp, ridiculous lines to encourage them to stay for the next episode.

Watchible, Breezy and Messy, the charming, contaminated line -up wears the project with charm and wit and at the same time offers its audience delicious views as a holiday class.

Disney+: 'Andor' season 2

As someone who has largely choked in Star Wars and his many, many, many spin-offs that flood Disney's streaming service, “Andor” is the one who is worth checking.

The grounded series is closer to a spy thriller than a space opera, and while the world of Andor is dictated by Andor by light swords, clothing fighters and blaster with its iconic sound design, this series is more known for its drama, its performance and the incredible monologues, which are delivered with these appearances.

If you have never been associated with a strong letter with “Star Wars”, you would be wrong in “Andor”. The second season published the weekly episodes, with the season completed in mid -May.

On Max: 'Baby Girl' '

Nicole Kidman has become a basic food for modern erotic thrillers, and “baby girl” is her youngest stitch. At the end of last year it published many waves for the daring appearances, and now streams for the first time.

A powerful CEO struggles to reconcile her work and personal life when she struggles into a worrying affair with a (much) younger internship. It is a brave, provocative story that the erotic thrillers of the 1980s bring into harmony with modern workplace dramas and all the associated disputes.

The film would not work without the brave attempts of his stars Nicole Kidman and Harris Dickinson. It doesn't rely on cheap tricks or thrills. Rather, it unfolds as a “coming-of-age” story or as a story about “coming-to-terrace” with reality.

Even Jason Rantz, moderator of “The Jason Rantz Show” on KTTH, had it in his top 10 films from 2024, and that is not a small performance.

Follow Frank Sumrall on X. Send news tips here.