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As Megan Hilty, Jennifer Simard Tony celebrated nominations for “death”, she will

As Megan Hilty, Jennifer Simard Tony celebrated nominations for “death”, she will

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Jennifer Simard and Megan Hilty, the two leads of Broadway's “Death”, celebrated their common Tony nominations in a very special way – by referring to the award in the middle of their show.

When the Tony Awards announced nominations on May 1st, Simard and Hilty learned that they received both from an actress in an actress in the best performance in the best performance.

In “Death”, a musical adaptation of the 1992 film of the same name, Simard Helen Sharp, an author, played by Hilty, the long -time resentment for her “girlfriend”, the successful actress Madeline Ashton. After Madeline Helens married former fiancé (Christopher Sieber), she draws revenge and sends them into the charm of viola van Horn (Michelle Williams), which offers eternal youth and beauty.

The show, which was nominated for a total of 10 tons, combines power packages, dazzling costumes and flawless comedies (ensure many viral Tiktok sounds).

SIMARD and HILTY THEIT today.com, none of them learned about their nominations how it was announced.

Simard says she endeavors to hear the nominations and have problems with her cable and being exhausted. (“Death becomes her” plays six nights a week in the Lunt Fontante Theater.)

“I wanted it to be just happy and I was a little too nervous to watch her,” says Simard, adding that she asked her to call her to call her with the results.

Meanwhile, Hilty found her husband's calls out of her apartment.

“I was pretty sure that it wasn't on my cards,” she says. “So I said, 'Do you know what? I just have to clean my apartment.'

“I was in my daughter's room and cleaned up for my daughter and then I heard my husband at the other end of the apartment, 'it happened!'” Hilty continues. “He came along the hallway. I said: 'Please don't hurt yourself.' He was so excited and I wouldn't have it any other way.

“I don't know how I was so happy to do this part, but I'll take it. And there is no one with whom I would rather do it than Megan Hilty,” says Jennifer Simard.Bruce Glikas / Bruce Glikas / Getty Images

That night, before they entered the stage for the performance of Thursday at 7 p.m., Hilty had that they had a moment together to celebrate.

“We have to have our moment before the show and talk about how sensible this was for both of us and how wonderful, how wonderful, really,” says Hilty.

“It couldn't be any different,” added Simard. “I think it was right. How Megan literally my other half is and I wouldn't be here without them.”

Megan is literally my other half and I would not be here without them. ”

Jennifer Simard

It was not just the two leads who had taken a moment to appreciate their nomination on the show of that night.

“It felt like opening night,” recalls Hilty. “The audience was very aware of what was happening.”

In order to honor this moment, the producers and the director of the show added new lines, “only for this night to be something special,” she says.

While the show is precisely structured and broadcast, there are two places in the script for an advertisement. The first comes during the extravagant wedding of Madeline and Ernest.

“Every night I choose another sponsor for the wedding,” says Hilty. “And our producer … talked to me about doing it American Express.”

” – screamed,” says Simard.

Then, at the end of the show-after Madeline and Helens Knock-Down, take off the fight and the realization that you can either spend the immortality alone or with another person.

“When we end, I say: 'What do you want to do, crazy?' And she says: “I don't know what do you want to do, Hel?” “And so we made one … I said: 'Well, let's go to clothes for the Tony Awards.'”

The moment is made something special when you consider that very few people know what the lines of this night will be before.

“(Director and Choreographer) Christopher Gattelli was very firm about us who could not tell people what it was – not to tell stage management and not say anyone,” says Hilty. “There is the opportunity to put on and go what happened tonight?”

The new formation of a beloved cult classic

The original “death becomes your” has long been celebrated as a cult classic, with an all-star occupation by Goldie Hawn, Meryl Streep and Bruce Willis.

“Goldie Hawn came and I think Meryl Streep will be able to see us and you are the blueprint,” says Simard. “I know when Goldie came, people said:” Oh, you have to be so nervous. “I said:” Not at all. “I was thrilled.

The purpose is to find their people and be with their people. And we may be an unconventional pairing, but our love is true and it is our own. “

Megan Hilty About the meaning of 'death will be'

“This woman gave me so much laugh,” she continues. “I am how if I could laugh for a laugh? Mission fulfilled.”

When it came to adapting the 1992 film, Hilty says that she has learned for a long time how to do the pressure.

“If you have looked at my resume, that's all I do, I take things that other people have ridiculously iconic, and I'm the only dummy that is:” Yes, I will try, “says Hilty.” I learned a long time ago that you can sit with this weight, but it will crush you. “

As in the original film, the musical in Hilty asks: “How far are you ready to try to pursue this youth and beauty goal and the obsession?” Both Madeline and Helen take the potion offered by Viola, which grants them immortality. However, the immortality does not correspond to an indestructible body.

In an extravagant scene that is filled with body and special effects, Madeline and Helen have a violent argument about Ernest, which were true “frenemies” with the long -term feelings. Madeline is pushed down the stairs and separated from her head while Helen is shot into the stomach. (“It was rude,” she sings when she steps back into the stage with a smoking hole in her upper body.)

Some of the moments are almost defeated from the film. But instead of re -creating someone else's performance, the duo sees his work as the honorary relationship, which came in front of her while she allows herself to the story, including the ultimate snack, that “this is a story about the search for her person,” says Hilty.

“The purpose is to find their people with their people. And we could be unconventional mating, but our love is true and it is our own,” says Hilty.

“Do you think you can hear me nod?” Simard adds.

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