Top 7 tracks from Taylor Swifts Reputational album

Big Machine Records published Taylor Swift's album, Call On November 10, 2017 and since then it was widely regarded in its discography as a defining album. This sixth studio album captures a brave new direction for Taylor's style with the influence of electropop and rhythm and blues together with urban music elements.

When this album was released, Taylor's legion of the “Swifties” was already well established, and her fans were more than ready to devour it. It made a number of 200th place in the Billboard 200 table with 1.2 million copies in the first week.

The rumor mill whirled that the re -publication of Call (Taylor's version) In 2025, according to the pattern of re -published albums from Taylor, for years in which there are still new albums in the world. This is the perfect time to look at the songs that make this album a force that can be expected in pop music world.

“Delicate” keeps spot number five on the album and continues Taylor's tradition of bringing their most endangered tracks into this position (similar to the heartbreaking “Dear John” and “All Too Well” on previous albums). This electropop influenced anthem has soft vocals that contrast with the more aggressive tracks of the majority of the album.

In the texts, Taylor examines topics of new love and vulnerability and expresses fears about a new relationship in the middle of their personal experiences with fame. The music video of the song is also an outstanding one. It shows Taylor, who escapes the public eye and finds freedom through a personal dance party. Keen Eyes will recognize the graffitated number five on a U -Bahn column, a subtle allusion to the place of this song on the album.

“Look what you did what you did” has the award to be the lead single of this album, and by selecting it, Taylor signaled everyone that she has made a brave shift in her musical and personal life. This immediate chart topper has a dramatic sound that is supported by a dark production quality and a playful sample by Right Said Fred's song “I am too sexy”.

The overarching topics are revenge and reinvention, topics that predominate throughout the album, which makes it a powerful choice for the lead single. The texts focus on the fact that Taylor is confronted in past injustices and shows their new fearless image.

The music video is also full of pictures of past controversies and media propaganda, which emphasize her conversion to a new woman who is incredibly and willing by the critics to achieve a violent comeback.

“Ready for that?” Opens the album with a bang and serves to present the listeners with its mixture of synth pop, electropop and industrial pop in this genre bending album. The entire song of this second single is full of aggressive production, fast beats and synthesizers who specify an intensive tone. The fast verses provide a strong contrast to the melodic chorus, and the texts complain that he is experiencing a new love while dealing with a complex public image.

The music video on the subject of futuristic motivated was also critical for his visual innovation. Although the track has never reached number 1 in the charts (it reached number 4 at Billboards Top 100), it was still certified as a double platinum and helped to set the tone for the album.

“GetaWay Car” will always be the song fans who were desired, but there is a hidden jewel like Track Nine On Call. It has classic Jack Antonoff production elements and reflected work that he completed with other artists at that time.

This song contains an 80s-inspired synth-pop sound when Taylor's texts emerge that tell a story of escapism that deals with their relationships with Tom Hiddleston and Calvin Harris. Important texts such as “The ties were black, the lies were white” and “It was the great escape, the prison break” emphasized the fleeting nature of the rebound love.

Although “GetaWay Car” was never presented as a single, enthusiastic fans recognize the appealing storytelling and the catchy sound that can strengthen the overall topic of Call.

“Don't accuse me”, a brave hymn inspired by gospel, is the fourth track on the album and often shows Taylor's overlooked voice. It is often referred to as “cathedral” because its popularity has gradually increased in fans.

The feeling of gospel of the song serves to cause emotions in the listener, and Taylor's passionate delivery emphasizes their ability to connect with their music and fans. The texts explore the addictive quality of love, which fits well with the general theme of the album around the intensity of the relationships.

Taylor added this song to her renowned “Eras Tour”, with fascinated fans being considered that Taylor shows their vulnerability and authorization in the live version.

As his title suggests, “I have something bad” shows a dark atmosphere and shows dark electronic production with pulsating beats and voice distortions. Lyrically, this track explores the proven topic of revenge, with Taylor a malignant character.

Taylor sings with an allusion to the tendency of society without knowing the whole story: “They burn all witches, even if they are none”, a strong reference to the investigation of the media. The overarching topics of the authorization and control of their own narrative were well received by fans.

Taylor's live appearances helped to consolidate his place as a fan favorite during her “Reputation Stadium Tour”. Ultimately, it deepens the exploration of image and self -treatment through the album.

“New Year's Day” is the end -track and the only ballad on the album that offers a striking contrast to the rest of the bold production of the album. The slimmed -down piano melody rejects the high -quality traces that precede it.

The texts use topics of permanent love and commitment, highlighted by the moving line: “I want your midnight … but I will clean up bottles with you on New Year's Day.” This line captures the feeling of moving from the excitement of a celebration to the secular aspects of her everyday life, probably with Joe Alwyn.

The song is emotionally calm and reflective, which indicates this CallTaylor might be Transition to a gentler style of music. This track is one of your pieces you celebrated by the criticism and is praised for its warm simplicity and emotional depth. The importance of the final track lies in its ability to present Taylor's journey and to give a promising tone for the future.

Call Exhibits A number of sounds and topics, while they focus on Taylor Swift's trip and experiences, while they were examined under an intensive media examination. The album contains an impressive list of participants, including Jack Antonoff, Max Martin, Shellback, Ed Sheeran and Future. It underlines Taylor's versatility and captivates the listeners with its complexity.