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Make-A-Wish receiver makes the Broadway debut in Hadestown

Last week crowe Zilvitis Make-A-Wish receiver gave her Broadway debut in a special walk in a special walk with the Tony Award. The 16-year-old received the complete Broadway treatment with a custom-made costume event, the music rehearsal and presented the rehearsal before celebrating her Broadway debut in the “Cups” final song. Get a look behind the scenes here!
Hadestown is in the 6th year of Broadway in Walter Kerr Theater and now in the second year in the west (returning to London to London, after his commitment in the National Theater 2018). The record-breaking North American tour has just completed its 3-year run from coast to coast, and the productions in Sydney, Melbourne and Amsterdam will be opened this spring.
Hadestown is currently playing Daniel Breaker as Hermes, Merle Dandridge as Perssohone, Phillip Boykin like Hades, Myra Malloy as Eurydice and Ali Louis Boackgui as Orpheus. They are accompanied by Marla Louissaint, Jessie Shelton and Kay Trinidad as fates. The workers' choir is played by Emily Afton, Malcolm Armwood, Timothy H. Lee, Sydney Parra and Alex Puette. The line -up includes Swings Brandon Cameron, KC Dela Cruz, Alex Lugo, Max Kumangai and Tanner Ray Wilson.
Hadestown was created as Anaïs Mitchell's Indie Theater project, which Vermont toured, which she then converted into a celebrated album. With Rachel Chavkin, her artistic employee Hadestown, was transformed into a genre new musical that combined modern American folk music with New Orleans-inspired jazz in order to reduce a comprehensive old story.

After two love stories that connect together by young dreamers Orpheus and Eurydice, and who, from King Hades and his wife Pershone-Lädt Hadestown, entered the audience on a hell to the underworld and back. Mitchell's bewitching melodies and Chavkin's poetic imagination of pit industry against nature, doubts about faith and fear of love. Hadestown is listed by a lively ensemble of actors, dancers and singers and offers a deeply resonant and defiantly hopeful theater experience.

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