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Jonathan Groff shares the secret to avoid the dry mouth on stage


https://www.youtube.com/watch?v=86-8poo4lns

Jonathan Groff is not only an incredible actor, but also known to drive a lot of moisture on stage. “I'm a bitter. And it is exactly what happens to me during the performance,” said Groff when visiting the Kelly Clarkson show and noticed that he sometimes watched the spectators who protect her face with her program.

Groff explained that the path to avoid a dry mouth consists by sucking on a diamond (or “Lozenger”, as he calls it), a practice that he has carried out in small shops or horrors in 2019 since he was executed. Look at the conversation to hear Clarkson's own experience as an audience during one of Groff's appearances.

Groff is currently playing Bobby in Broadway's Just Paly Time, which has received 6 Tony nominations, including one for Groff. Developed and staged by Tony Prize winner Alex Timbers invites the audience to experience the meteoric journey of the great American entertainer-from high heights to shredding deep stalls-through the groff, a line-up of 11 on the stage, and a live stage band, the bobby's iconic hits, including “Beyond the Sea “,” Beyond the Sea “,” Splish Splish “,” Splish Splish “,” Splish Splish “,” Splish Splish “,” Dream, “,” very “,” Splish, “,” Splish Sprishe “,” Dream, “.

Especially in the time star of Tony Award Jonathan Groff, Gracie Lawrence, Tony -Prize winner Michele Pawk, Joe Barbara, drama desk Award Emily Bergl, Lance Roberts, Caesar Samayoa, Christine Cornish, Julia Grondin, Valeria Yamin, John Trazy and Tariri and Tariri and Tari and Tari and Tari and Tari, Mattn. Reilly.

Just in time is an exciting new musical that is in an intimate, swinging night club with a live band, an outstanding line -up of Bobby in it, including “Beyond the Sea”, “Mack the Messer”, “Splish Splash” and “Dream Lover”, “Mack the Messer”, “Splish Splash” and “Dream Lover”, which is transported the audience, transports. Discover the man behind the music, which pushed back against the record labels to create a new course on the charts-a unique talent that knew that his time was limited and determined to cause a sensation before it was too late.

Best choreography – live classification

Jenny Arnold – Operation Mincemeat – 16%
Jerry Mitchell – Boo! The musical – 15%
Christopher Gattelli, Lou Castro – Death becomes her – 14%
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