“Final Destination: Bloodlines” -Annavigated Complex Deaths

Los Angeles, May 16 (Upi) – Final goal: blood linesIn the theaters on Friday, his line -up with its elaborate chain reaction scenes taxed. Regardless of whether their characters live or die, the stars were all involved with certain sequences of events that required tiny details to connect perfectly.

In a recent zoom interview with Upi, the actors Kaitlyn Santa Juana, Rya Kihlstedt, Teo Briones, Richard Harmon, Anna Lore and Owen Patrick Joyner described their complicated work on the continuation of horror.

Santa Juana plays Stefani, a student who begins to dream of a fatal accident from her grandmother Iris (BREC Bassinger). Since Iris cheated on death decades ago, her whole family has now been susceptible to deaths to take them and the younger generations that should never be born.

“It takes time,” said Santa Juana about the scenes. “It was more specific to make these markings in terms of physicality than they would recognize at all.”

Such a detailed sequence takes place in a tattoo salon, in which Stefanis Cousin Erik (Harmon) catches his nose ring on a chain that hangs on a ceiling fan.

“This scene took five days to shoot,” said Harmon. “I had to be on wires. I had to span myself. There was real fire below me. It was incredible. I had so much fun in this scene.”

Lore, who plays Erik's sister Julia, said that even the simplest scenes turned out to be deceptively complicated.

“One day I had to run in a semicircle, point A to point B and I couldn't do it,” said Lore. “To be fair, I had to use earphones at the same time, which I kept getting out of my ears.”

In order to protect the actors from physical injuries, they often wore prostheses that could be cut or mutilated if the scene demands them. Joyner, who portrays Erik and Julia's brother Bobby, said that these devices already complicated complex scenes.

“You can't see,” said Joyner. “You have your arms up. I think that makes it more difficult.”

The directors Zach Lipovsky and Adam B. Stein had to find paths to orchestrine these scenes. According to Lipovsky, many of the written deaths did not work practical and would have to be revised in cooperation with the crew.

“We surround ourselves with a crew of people who try to find out physics how all these things can actually happen,” said Lipovsky. “You can come up with all sorts of crazy things in your head, but then you actually get the actual lawn mower and the rake and the fire extinguisher and you try to get you to do the things you should do in the script.”

Stein said that a cooperative element was a Jenga tower at a family grille. The fall sets off a more complex sequence.

“The Jenga Tower knocks over the cup, BAM, what kind of actor,” said Stein.

Many of these accidents intentionally carry out the audience wrong, which is the most deadliest element in the scene. At this grill, a piece of broken glass continues to appear in unexpected places.

“There is a very small object that gives you a terrifying feeling that comes into play as you don't expect,” said Stein.

The directors also filled up Blood linesThe sixth film in the series with Easter eggs in relation to previous entries in the franchise and encouraged the crew members to add Easter eggs without notifying them.

“One of our favorite favorites is one of the characters that are exactly in the pattern of the Final goal 5 Poster, “said Stein.” If you look at the Final goal 5 Poster, you will see a skull with metal that pierces it. Each piece of metal is exactly in the right place for a certain kill in the film. ”

The concentration on a family is a new element in the film series. The line -up agreed that the aspect sets Blood lines Apart from the previous five films.

“I think the audience is much more about it,” said Briones, who plays Stefanis brother Charlie. “I think that for the first time they may actually be deleted for the main characters instead of death.”

How Charlie and Stefanis alienated mother Darlene, Kihlstedt, agreed.

“The missions are higher,” she said.

The family atmosphere added to relative scenarios End goal Formula, said Joyner.

“Most people have a family, so it's easy to use,” said Joyner. “Everyone is usually with a family grille or a family.”

In addition, Lorre felt that they showed family members, mourning the lost relatives, into an emotional End goal Film.

“I think it gives the film so much heart,” she said.

Nevertheless that End goal Films are celebrations of Macabre Carnage. Lipovsky said the filmmakers and audiences are all on the joke.

“I find End goal Films should be fun, “said Lipovsky. This is just something delightful about what you can go to the theater and have this joint experience.”

https://www.youtube.com/watch?v=UWMZKXSY9A4