Affected Taylor Swift fans suffer a legal setback in the lawsuit against ticketmaster about 'Eras ​​Tour' Fiasco

Taylor Swift fans sue the ticket master for the sensational “Eras -Tour” of the singer, which was awarded the Grammy Award, a legal setback this week as a federal judge rejected his fraud claims, breaches of contract, violations of cartel contracts and others.

The 355 affected Swifties took ticketmaster and their parent company Live Nation to court in 2022 because they allegedly violated a number of laws while he managed the ticket for Ms. Swift's overloading world tour. The plaintiffs claim that they could not secure tickets after an unprecedented inflow of users, tickers -scalpers and bots -website and prompted the company to cancel the planned public ticket sales.

“Why do we pay these fees? Why are the ticket prices changed when buying?” One of the plaintiffs, Joe Akmakjian, asked in court. “Why are tickets sold out in 10 minutes to reach a resale market that Ticketmaster has?”

The Swifties accuse the live nation of having committed several violations, including breach of contract, negligent false presentation and violations of antitrust rights, including price fixation and illegal consultation.

However, the US district judge George Wu decided on Thursday that her complaint did not provide any reasonable evidence of her allegations. He found that the plaintiffs “could not have any of their cartel theories with the necessary peculiarity or clarity” and that the court also “had given the plaintiffs the alleged contract” without a clear impression “that they violated the ticket master.

Judge WU gave them another opportunity to change their lawsuit – although according to Courthouse News it has already seen four earlier iterations. The Swifties must submit the complaint before a period on July 14th. “This is her last chance,” said judge WU to the plaintiff's legal team.

The right team of the Swifties shakes off the setback. Lawyer Jennifer Children said on Thursday that they look forward to our next hearing before judge WU to continue their fight against what she called “Goliath”. One of the leading plaintiffs, Julie Barfuss, shared a similar feeling. “I am now as committed as I have ever been because I am really strong that live entertainment should be for everyone and not just for just a few privileged,” she said.

The lawyers also aimed at ticketmaster and prompted them to slow down the lawsuit. “Despite the constant efforts of the ticket master to delay the consumers from access to the civil judicial system, we are still here,” said Ms. Kinder during a press conference on Thursday. “We are still standing. We don't go away. Swifties are more united than ever.”

The public counter reaction to the Eras Tour -Ticket -Fiasko, in which thousands of fans had tickets in an online online queue despite many cases, was quick and burning. In the middle of the growing controversy, the pop star himself emerged against the ticket companies and complained that Ticketmaster had assured her “several times” that they could meet the record demand.

“It is really difficult for me to trust an external company with these relationships and loyalities and to observe unbearable for me that errors only occur without recourse,” she wrote in her online declaration.

Ticketmaster was finally called for statements to the Senate in 2023, in which the company was grilled through its market dominance. Joe Berchtold, Chief Financial Officer from Live Nation, spoke in front of the Senate for the debacle and admitted that “we would do better and do it better,” he said.

Ticketmaster refuses all rights and instead gives the mutilated sale on the “historically unprecedented demand” for Ms. Swift's tour.