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Stephen Shames emphasizes a transformation time in “Black Panthers & Revolution” – Colossal

The California Highway 17 – now the Interstate 880 – completed in 1940 – has made a huge part of the African -American community of Oakland for the route for the route. Cut off from the city center, these districts were robbed of their economic connections to the trade center, whereby they disturbed social cohesion and, among other things, the guidelines and attitudes at this time and set an era of increasing unrest in motion.

One of these harmful guidelines consisted of the systematic program of the Federal Housing Administration of Discrimination of colors in a process known as a redifying process. During this time, Blacks were forbidden to buy houses so that instead white families could do white, medium or lower class, and to be separated by design. It is something that people in Oakland would simply not stand for.

Black Panther children demonstrate during the Bobby Seal and Ericka Huggins, New Haven, Connecticut, May 1, 1970. Gelatin silver print, printed 2016, 20 x 16 inches

From the mid-1940s, the city of Bay Area was the location of numerous demonstrations, from general strikes to peaceful protests to all-out riots. Excessive violence by the Oakland Police Department tightened the tensions and led to numerous local organizations such as the Oakland Community Organizations (Pico/Oco), the Unity Council, the Intertribal Friendship House and maybe the most famous.

The political organization was described in 1966 by College student Bobby Seale and Huey P. Newton, often simply referred to as panthers or BPP. The black baskets and infamous so -called “Copwatching” practices contained open carreme patrols with the mission to protect black citizens from misuse by law enforcement authorities. It is even more important that the group has also implemented a number of “survival programs” that provided important foods such as food, medicine, clothing and transport for the residents.

The celebrated photojournalist Stephen Shames had a seat in the front row to promot the party. While they were still in college, he invited him to be the official photographer of the BPP, and until 1973 Scham's hundreds of powerful pictures that highlight the actions and ethos of the panthers in California and the country.

“The Black Panther party broke up with our awareness when Bobby Seale and other Panthers in Sacramento marched to California State Capitol – armed with weapons,” says Shames in a explanation. “This approach has electrified a generation of black young people.” More than 65 percent of the group group included women.

Black Panthers Food Program (C.1970S), 8 x 10 inches

The BPP image was carefully choreographed, from militaristic uniforms to its distinctive logo to a deliberate and carefully designed weekly newspaper, with Art Director Emory Douglas, the visual identity of the “Master Craftsman” party.

In 2016, Shams and Seal wrote the book together Makes people: the world of black Panther, This shows black pride, resilience and authorization in this revolutionary era. He says:

The Panthers did not encourage hatred … The Black Panther Party tried to build a community through the service to people and to provide free food and clothing. They gave the targetless, angry adolescent young people who led around in the street corner. The Panthers formed these young people into disciplined, hard workers who served their community and showed respect for mothers, fathers and elders.

A remarkable selection of shame photos will be opened this month Black Panthers & Revolution: The art of Stephen Schams In the Amar Gallery.

On July 28, 1968, Panthers presented himself at a free Huey rally in the Defremery Park in Oakland. Gelatin silver, 16 x 20 inches

Seal, Newton and other renowned activists such as Angela Davis and James Baldwin portrays striking black and white images among the daily scenes of local adolescents and families, the Panthers' Food Distribution Program and demonstrations. The photographs of Scham's appointed a number of emotions, from the intensity of the BPP races to the energy of the local programs to the fundamental joy of togetherness and community.

Shames is known for his brave and affected photo essays that shine light on social issues around the world. His work is located in the constant collections of MoMA, the Metropolitan Museum of Art, the San Francisco Museum of Art, the National Museum of American History and dozens.

Black Panthers & Revolution Opened on May 28th and lasts in London until July 7th. If you are in Los Angeles, pay attention to the solo exhibition of Schams. Comrade sisters: Women of Black Panther Party, which will open on August 7th in the Museum of Social Justice. For more information, see the artist's website.

Black Panther Medical Program (C.1970S), 8 x 10 inches
Angela Davis (approx. 1970), 16 x 20 inches
Black Panther Rallye (approx. 1970s), 8 x 10 inches
Children of Black Panthers (approx. 1970), 8 x 10 inches
Black Panther child wears a “Free Angela” t-shirt (approx. 1970), 16 x 20 inches
James Baldwin, the Black Panther founder Bobby Seale visited in prison (1969), 16 x 20 inches
“Free our sisters” (approx. 1970s), 8 x 10 inches
Black Panther Children (C.1970S), 8 x 10 inches

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